قسمتی از کتاب هنر مصر

شرح پروژه

با عرض سلام و احترام خدمت همه عزیزان

کل کار 16 هزار کلمه

بودجه زیر 200 تومان مد نظر می باشد (پس پیشنهاد بالاتر ندهید چون بررسی نخواهد شد)

بهترین قیمت و کیفیت در اولویت انتخاب پروژه هستند. 

تحویل بخش اول 30 آبان 

تحویل کل کار 10 آذرماه

همراه با پیشنهاد قیمت بخش زیر را به عنوان نمونه ترجمه کنید: دوستانی که تمایل به نمونه زدن ندارن ما هم تمایل به همکاری نداریم.

قبلاً پروژه مرتبط ثبت شده بود اما نمونه ها مورد تایید قرار نگرفتند، پس در صورتی که قبلاً نمونه دادید دیگر نیازی به نمونه نیست چون دوباره تایید نخواهد شد. 

ترجمه مفهومی مد نظر است، متاسفانه خیلی از همکاران تحت الفظی ترجمه می کنند

AMINA MANSUR

The Map of Love

I first met Amina Mansur in Alexandria in 1997. She was among twenty or so young Egyptian artists who had gathered for a series of meetings to discuss how they could collectively build the art scene in Egypt. Most of these artists had gained the attention of the Ministry of Culture in Cairo and had received prizes, exhibitions, and residencies. Many of the Alexandrian artists, Amina included, had also been given the careful attention and tutelage of an art pro­fessor of the older generation, Faruq Wahba. In the afternoons and evenings, Amina joined other young artists at the Alexandria Atelier, where Wahba had set up a workshop and schooled his students in the benefits of wild experi­mentation. (They learned a lot about Joseph Beuys and other German art­ists, because Wahba had spent many years in Germany.) While other young women from her background were attending private universities and prep- ping themselves for society life, Amina was questioning the boundaries of the material and visual culture taste that she had grown up with. At the Ate­lier, she met artists from many different backgrounds, who spent late nights smoking cigarettes, talking about ideas and criticizing each other’s work, and mucking around in art materials. She was not living the kind of life that had been set out for her as the daughter of one of Egypt’s most famous business families. But she wasn’t “slumming” either. She was participating in a broader art-making community with members of her generation. They were trying to take advantage of all they had learned from their predecessors and really make their mark on Egyptian art.

مهارت ها و تخصص های مورد نیاز

درباره کارفرما

دارالترجمه رسمی (ترجمه رسمی اسناد و مدارک)

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